Charles and his twin brother Earl (both played by Robert Shaw) share an intense rivalry that comes-out during their judo karate contests. Charles wants to top his brother at everything including getting the better of him at his own expertise, which is that of security specialist who has created a vault in Tel Aviv that holds a cache of diamonds and is supposedly impenetrable.

Charles is determined to rob it and uses the help of expert safe crackers Archie (Richard Roundtree) and Sally (Barbara Hershey).

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While the film has some great location shooting of Israel making it seem almost like a travel log of the region and the final third where the three try to pull off the elaborate robbery does get a bit intense, though it’s nothing special, the movie on the whole falls flat.

A major reason is that it was directed by Menahem Golan, who along with his cousin created the notorious film production company The Cannon Group, which produced a lot of cheesy, bubble gum action flicks during the 80’s.

This film works very much like those with poor character development, in fact there’s really no development at all, and a plot that steals all sorts of elements from other and better heist movies.

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Overall it’s pretty much the same storyline as Perfect Friday, and to a lesser extent Topkapi, but all of the things that made those movies so much fun to watch goes missing here. The lack of interplay between the characters is the biggest issue.

Shaw, Roundtree, and Hershey are all great actors, but they’re not given anything interesting to say. The twin brother concept does not get played-up enough and Charles’ twin is seen just a few times with the only difference being a shaggy wig that Earl wears as opposed to Charles crew-cut, but both brothers have the exact same mole on the left side of their mouths and while identical twins can have many similarities, skin blemishes isn’t one of them.

Shelley Winters also pops-up sporadically as an American tourist, but her part is completely inconsequential and not needed at all.

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The heist itself does involve some sophisticated maneuvers including having them walk on the ceiling by using a suction-cup type contraption, but the film fails to show any of the preparation. In the other heist films seeing how the crooks rehearsed the robbery and working through their disagreements and divergent personalities was half-the-fun, but that all goes missing here.

How Shaw goes about meeting Roundtree and company is pretty flimsy too as he catches them during the middle of an attempted safe cracking and then hires them on-the-spot supposedly because he’s been monitoring them for 5 years and feels they’d be a perfect match for his scheme, but why should it take him so long to come to this conclusion and these safe crackers must not be as cunning as they seem if they’ve been watched closely for 5 years and not had any hint that it was going-on.

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The crime itself gets pulled-off way too easily and there’s no moment where a crucial mistake gets made, or some sort of unexpected slip-up, so things never get as intense as it could’ve.

There’s also an added character that gets thrown-in who kidnaps the son of the security guard in order to get the guard to give-out the combination to the safe, but no scenes are shown for how Shaw and company met this kidnapper, or what deal he made with him in order to get him to agree to along with their plans.

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The finale has a very anti-climactic feel as Roundtree is able to retrieve the diamonds, but then Shaw forces him to put them all back, so they come away, after all that effort, empty-handed.

Ultimately Shaw does hand him a $100,000 check, but this was paltry compared to the $10 million they would’ve gotten with the diamonds making the viewer feel like the film wasn’t worth sitting through if the characters just end up in the same situation that they were in when it began.

While no movie that has Robert Shaw in it can be completely bad as his presence alone can elevate even the most inept material this one unfortunately does come close.